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Beginnings

Is it uncool to say that as a kid I liked collecting things...everything from rocks, shells and stamps to butterflies and spiders?
As an adult, I realise I've swapped my passion for collecting things, to collecting images!

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Influences

I love Henri Cartier Bresson's work and his philosophy of the 'decisive moment', and in general, the output from the Magnum Photos Cooperative. My childhood memories include monthly installments of National Geographic with its great reportage and memorable photos. As far as individual images go, I normally have a few floating round my head at any one time. The famous Afghan girl by Steve McCurry usually figures, as does Migrant Mother by Dorothea Lange. In my travels, I make a beeline for the art galleries in any city I visit. If you're in the area check out the Prado in Madrid, the National Gallery in London or the d'Orsay in Paris. The reason I mention this is that every visit to see the 'masters' is a fantastic lesson in composition, and I always hope some of the magic rubs off.

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Philosophy

My philosophy comes down to one thing - getting a good image. For me this happens when intent, passion and execution converge to create something special. I see photographic opportunities all around me - repeated motifs, comical juxtaposition, moments where random people/things align in pleasing compositions. Some places are particularly inspirational - maybe the character of the people is different, the light more diffuse, or the colours more vivid. Often it's just because I'm new to a place and can look with fresh eyes. I met a guy on a recent trip who left his good SLR at home to lighten his pack. Why have a decent camera at all if you leave it at home? At the time we were standing three metres from flowing lava on a Guatemalan volcano at dusk.



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Projects

Having completed several trips around Ireland, I am currently collating images for this new gallery. Over the next twelve months I will also be spending some time back in my home country, Australia. The gallery should be available by the autumn.

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Technical

Knowing something about photography and how to apply it to the gear you have, leads to more predictable results (and in the end more 'keepers'). Even an untrained monkey at a waterhole with a camera will eventually get a good shot if it presses the button enough times. However, a more intelligent monkey who knows how to use the camera will do a whole lot better. Ultimately, gear doesn't matter - it's how you use it. Having said that, some gear is better suited to a given requirement. A person may choose a camera, based on their photographic style and needs. That same camera can shape the person's style because of its idiosyncrasies.